Flashback Album Review: Venom’s Metal Black: A Fiery Return to Form for the Legends of Extreme Metal

Flashback Album Review: Venom’s Metal Black: A Fiery Return to Form for the Legends of Extreme Metal

Venom’s Metal Black is more than just a return to form—it’s a testament to the band’s enduring power and influence.

4 min read

Released on March 27, 2006, Metal Black saw Venom roaring back with a vengeance, delivering a savage, no-frills assault that captured the essence of their early days while injecting a dose of modern intensity. Often regarded as a spiritual successor to their groundbreaking Black Metal album, Metal Black stripped away any excess and focused on what Venom does best—unapologetic, raw, and aggressive heavy metal with an unmistakable evil edge. For longtime fans, this album was a triumphant return to form, proving that Venom’s influence on extreme metal was far from a thing of the past.

By the mid-2000s, metal had evolved significantly. Black metal had splintered into multiple subgenres, thrash had seen a resurgence, and death metal was becoming more technical and polished. But instead of chasing trends, Venom stuck to their roots, delivering an album that felt like a direct callback to their earliest, most primal material. Metal Black was more than just an album title—it was a statement of intent, a reaffirmation of Venom’s place in the pantheon of extreme metal.

At the heart of Metal Black was the ever-iconic Cronos, whose snarling vocals and rumbling bass lines remained as menacing as ever. Joining him were guitarist Mykvs and drummer Antton, forming a power trio that recaptured the raw energy of Venom’s classic era while tightening up the musicianship. While earlier Venom records thrived on chaotic, almost punk-like energy, Metal Black took that same spirit and refined it just enough to sound more cohesive without losing the reckless abandon that made the band legendary.

The Sound: Raw, Relentless, and Uncompromising

Cronos’ bass work on Metal Black is thick and punishing, giving the album a weighty low end that drives the chaos forward. His voice remains one of Venom’s most defining features—gritty, venomous, and filled with the same sinister charisma that made Black Metal and Welcome to Hell so legendary. Mykvs’ guitar riffs are sharp and aggressive, often reminiscent of early thrash and speed metal but with a heavier punch. Meanwhile, Antton’s drumming keeps the energy relentless, shifting between rapid-fire blasts and thunderous grooves that make the album feel dynamic rather than one-dimensional.

From the opening track, Antechrist, it’s clear that Venom hasn’t lost their fire. The song bursts forth with razor-sharp riffing, pounding drums, and Cronos’ signature bark, setting the stage for an album that refuses to let up. Burn in Hell and Rege Satanas bring back the evil, headbanging energy that defined their early work, while House of Pain slows things down slightly, offering a darker and more groove-oriented approach. Tracks like A Good Day to Die and Lucifer Rising reinforce Venom’s knack for crafting infectious, blasphemous anthems that are as catchy as they are crushing.

Recapturing the Chaos: A Statement of Intent

Reflecting on the band’s approach to Metal Black, Cronos once said:
"We wanted to take things back to the roots of what made Venom dangerous while showing we could still hold our own in today’s scene. It’s loud, it’s fast, it’s heavy—just the way Venom should be.”

That hunger and aggression pulse through every track. Unlike some veteran bands who attempt to modernize their sound to fit current trends, Venom refused to compromise. This album could have been released in the ‘80s, and it would have felt just as feral and unapologetic.

While Metal Black stays largely true to Venom’s traditional formula, it also benefits from a clearer production style. Unlike the raw, almost lo-fi recordings of their early albums, this release allows the instruments to hit with full force while maintaining a sense of organic, old-school grit. This makes Metal Black a perfect bridge between past and present—offering a nostalgic throwback for die-hard fans while also being accessible to newer listeners who might not be accustomed to Venom’s more chaotic early recordings.

A Legacy Reaffirmed

Venom’s influence on extreme metal cannot be overstated. Without them, black metal as a genre might not exist, and their impact on thrash, death, and speed metal is undeniable. Metal Black served as a reminder that while many bands have built upon Venom’s foundation, no one can truly replicate their raw, devil-may-care attitude.

Guitarist Mykvs once reflected on the album’s impact, stating:
"This was us proving that Venom’s sound is timeless. No matter how much metal evolves, there will always be a place for raw, unfiltered aggression."

Even in an era where extreme metal had become more polished and technical, Metal Black stood out because of its unrelenting commitment to Venom’s primal essence. It wasn’t trying to be the heaviest or the most complex album—it was simply Venom being Venom, and that’s exactly why it worked.

Final Verdict: 8.5/10

Standout Tracks:

  • Antechrist
  • Burn in Hell
  • Rege Satanas
  • House of Pain
  • A Good Day to Die
  • Lucifer Rising

Venom’s Metal Black is more than just a return to form—it’s a testament to the band’s enduring power and influence. It may not reinvent the wheel, but it doesn’t need to. This is raw, aggressive, and unapologetic metal, delivered by the pioneers who helped shape it. Whether you’re a longtime fan or new to the band, Metal Black proves that Venom still knows how to conjure chaos like no other.